Carolina Quotes

Cormac McCarthy

North Carolina · resident1933–2023

American novelist, playwright, and screenwriter (1933–2023)

  • Lived in Asheville

novelist, playwright, writer, film screenwriter

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Drovers were racing brokenly across the milling hogs like wind through grass until a whole echelon of them careering up the outer flank forsook the land and faired into space with torn cries. Now the entire herd had begun to wheel wider and faster along the bluff and the outermost ranks swung centrifugally over the escarpment row on row wailing and squealing and above this the howls and curses of the drovers that now upreared in the moil of flesh they tended and swept with dust had begun to assume satanic looks with their staves and wild eyes as if they were no true swineherds but disciples of darkness got among these charges to herd them to their doom.
Outer Dark (1968)

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He could not swim, but how would you drown him? His wrath seemed to buoy him up. Some halt in the way of things seems to work here. See him. You could say that he is sustained by his fellow men, like you. Has peopled the shore with them calling to him. A race that gives suck to the maimed and the crazed, that wants their blood in history and will have it. But they want this man's life. He has heard them in the night seeking him with lanterns and cries of execration. How then is he borne up? Or rather, why will not these waters take him? (p.147)
Child of God (1973)

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He dreamt that night that he rode through the woods on a low ridge. Below him he could see deer in a meadow where the sun fell on the grass. The grass was still wet and the deer stood in it to their elbows. He could feel the spine of the mule rolling under him and he gripped the mule's barrel with his legs. Each leaf that brushed his face deepened his sadness and dread. Each leaf he passed, he'd never pass again. They rode over his face like veils, already some yellow, their veins slender like bones where the sun shone through them. He had resolved himself to ride on for he could not turn back and the world that day was as lovely as any day ever was and he was riding to his death. (p.162)
Child of God (1973)

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He said that while one would like to say that God will punish those who do such things and that people often speak in just this way it was his experience that God could not be spoken for and that men with wicked histories often enjoyed lives of comfort and that they died in peace and were buried with honor. He said that it was a mistake to expect too much of justice in this world. He said that the notion that evil is seldom rewarded was greatly overspoken for if there were no advantage to it then men would shun it and how could virtue then be attached to its repudiation?
The Crossing (1994)

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He said the wicked know that if the ill they do be of sufficient horror men will not speak against it. That men have just enough stomach for small evils and only these will they oppose. He said that true evil has power to sober the smalldoer against his own deeds and in the contemplation of that evil he may even find the path of righteousness which has been foreign to his feet and may have no power but to go upon it. Even this man may be appalled at what is revealed to him and seek some order to stand against it. Yet in all of this there are two things which perhaps he will not know. He will not know that while the order which the righteous seek is never righteousness itself but is only order, the disorder of evil is in fact the thing itself. Nor will he know that while the righteous are hampered at every turn by their ignorance of evil to the evil all is plain, light and dark alike. This man of which we speak will seek to impose order and lineage upon things which rightly have none. He will call upon the world itself to testify as to the truth of what are in fact but his desires. In his final incarnation he may seek to indemnify his words with blood for by now he will have discovered that words pale and lose their savor while pain is always new.
The Crossing (1994)

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In the night as he slept Boyd came to him and squatted by the deep embers of the fire as he'd done times by the hundreds and smiled his soft smile that was not quite cynical and he took off his hat and held it before him and looked down into it. In the dream he knew that Boyd was dead and that the subject of his being so must be approached with a certain caution for that which was circumspect in life must be doubly so in death and he'd no way to know what word or gesture might subtract him back again into that nothingness out of which he'd come. When finally he did ask him what it was like to be dead Boyd only smiled and looked away and would not answer. They spoke of other things and he tried not to wake from the dream but the ghost dimmed and faded and he woke and lay looking up at the stars through the bramblework of the treelimbs and he tried to think of what that place could be where Boyd was but Boyd was dead and wasted in his bones wrapped in the soogan upriver in the trees and he turned his face to the ground and wept.
The Crossing (1994)

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Black: Belief aint like unbelief. If you a believer then you got to come finally to a well of belief itself and then you dont have to look no further. There aint no further. But the unbeliever has got a problem. He has set out to unravel the world, but everything he can point to that aint true leaves two new things layin there. If God walked the earth when he got done makin it then when you get up in the mornin' you get to put your feet on a real floor and you dont have to worry about where it come from. But if he didnt then you got to come up with a whole other description of what you even mean by real. And you got to judge everything by that same light. If light is is. Includin yourself. One question fits all.
The Sunset Limited (2006)

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She slept and sleeping she dreamt that she was running after a train with her brother running along the cinderpath and in the morning she put that in her letter. We were running after the train Bobby and it was drawing away from us into the night and the lights were dimming away in the darkness and we were stumbling along the track and I wanted to stop but you took my hand and in the dream we knew that we had to keep the train in sight or we would lose it. That following the track would not help us. We were holding hands and we were running and then I woke up and it was day.
The Passenger (2022)

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In his dreams of her she wore at times a smile he tried to remember and she would say to him almost in a chant words he could scarcely follow. He knew that her lovely face would soon exist nowhere save in his memories and in his dreams and soon after that nowhere at all. She came in half nude trailing sarsenet or perhaps just her Grecian sheeting crossing a stone stage in the smoking footlamps or she would push back the cowl of her robe and her blonde hair would fall about her face as she bent to him where he lay in the damp and clammy sheets and whisper to him I’d have been your shadowlane, the keeper of that house alone wherein your soul is safe. And all the while a clangor like the labor of a foundry and dark figures in silhouette about the alchemic fires, the ash and the smoke. The floor lay littered with the stillborn forms of their efforts and still they labored on, the raw half-sentient mud quivering red in the autoclave. In that dusky penetralium they press about the crucible shoving and gibbering while the deep heresiarch dark in his folded cloak urges them on in their efforts. And then what thing unspeakable is this raised dripping up through crust and calyx from what hellish marinade. He woke sweating and switched on the bedlamp and swung his feet to the floor and sat with his face in his hands. Dont be afraid for me, she had written. When has death ever harmed anyone?
The Passenger (2022)

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He’d no photograph of her. He tried to see her face but he knew he was losing her. He thought that some stranger not yet born might come upon her photo in a school album in some dusty shop and be stopped in his place by her beauty. Turn back the page. Look again into those eyes. A world at once antique and never to be. After she left the quarry he sat alone until the small flames in their tins had guttered out one by one. Then just the dark of the countryside, the silence of it. The faint drone of a truck out on the highway.
The Passenger (2022)

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He wrote in his little black book by the light of the oil lamp. Mercy is the province of the person alone. There is mass hatred and there is mass grief. Mass vengeance and even mass suicide. But there is no mass forgiveness. There is only you. We pour water upon the child and name it. Not to fix it in our hearts but in our clutches. The daughters of men sit in half darkened closets inscribing messages upon their arms with razorblades and sleep is no part of their life.
The Passenger (2022)

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How do you know you shouldnt? The core question is not how you do math but how does the unconscious do it. How is it that it’s demonstrably better at it than you are? You work on a problem and then you put it away for a while. But it doesnt go away. It reappears at lunch. Or while you’re taking a shower. It says: Take a look at this. What do you think? Then you wonderwhy the shower is cold. Or the soup. Is this doing math? I’m afraid it is. How is it doing it? We dont know. I’ve posed the question to some pretty good
Stella Maris (2022)

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