Carolina Quotes

Orson Scott Card

North Carolina · connectedBorn 1951

American science fiction novelist (born 1951)

  • Worked in Greensboro

writer, novelist, science fiction writer, children's writer, screenwriter

Quotations with a citation

The criminal misuse of time was pointing out the mistakes. Catching them―noticing them―that was essential. If you did not in your own mind distinguish between useful and erroneous information, then you were not learning at all, you were merely replacing ignorance with false belief, which was no improvement. The part of the man's statement that was true, however, was about the uselessness of speaking up. If I know that the teacher is wrong, and say nothing, then I remain the only one who knows, and that gives me an advantage over those who believe the teacher.
Orson Scott Card Ender's Shadow
In his sleep the voice of the land came to him like whispered lullabies. I did not choose you, said the land. I cannot speak except to those who hear me, and because it is in your nature to hear and listen, I spoke to you and lead you here to save me, save me, save me. Do you know the desert they will make of me? Encased in burning dust or layers of ice, either way I'll be dead. My whole purpose is to thrust life upward out of my soils, and feel the presence of living feet, and hear the songs of birds and the low music of the animals, growling, lowing, chittering, whatever voice they choose. That's what I ask of you, the dance of life, just once to make the man whose mother will teach him to be Quetzalcoatl and save me, save me, save me.
America (1987), reprinted in Gardner Dozois (ed.), The Year's Best Science Fiction: Fifth Annual Collection, p. 598
“I've done my best, but the boy is unteachable. He doubts everything, and contests each point of theology as if it were required to meet the same tests of logic and consistency that prevail in the world of science.” “In other words, he expects your doctrines to make sense.” “He is unwilling to accept the idea that some things remain mysteries, comprehensible only to the mind of God. Ambiguity makes him saucy, and paradox causes open rebellion.” “An obnoxious child.”
Seventh Son (1987), Chapter 13.
The White man never guessed at what the Red man saw and heard and felt. The White man brought death and emptiness to this place. The White man cut down wise old trees with much to tell; young saplings with many lifetimes of life ahead; and the White man never asked, Will you be glad to make a lodgehouse for me and my tribe? Hack and cut and chop and burn, that was the White man's way. Take from the forest, take from the land, take from the river, but put nothing back. The White man killed animals he didn't need, animals that did him no harm; yet if a bear woke hungry in the winter and took so much as a single young pig, the White man hunted him down and killed him in revenge. He never felt the balance of the land at all.
Red Prophet (1988), Chapter 2.
What is the White man? What does he do? The White man is like a human being, but he crushes all other living things under his feet. Then why, O Ta-Kumsaw, when I look into your heart, why is it that you do not wish to hurt the White man, that you do not wish to kill the White man? The White man doesn't know the evil that he does. The White man doesn't feel the peace of the land, so how can he tell the little deaths he makes? I can't blame the White man. But I can't let him stay. So when I make him leave this land, I won't hate him.
Red Prophet (1988), Chapter 2.
“We don’t go to Fort Chicago,” said Ta-Kumsaw. “We go to the holy place.” “A church?” asked Alvin. Ta-Kumsaw laughed. “You White people, when you make a place holy you build walls so nothing of the land can get in. Your god is nothing and nowhere, so you build a church with nothing alive inside, a church that could be anywhere, it doesn’t matter—nothing and nowhere.” “Well what does make a place holy?” asked Alvin. “Because that’s where the Red man talks to the land, and the land answers.”
Red Prophet (1988), Chapter 7.
Perhaps you don't desire poetry as much as you would like to have my torchy knowledge of your possible futures, but I dare say poetry will do you far more good. For knowing the future only makes you timid and complacent by turns, while poetry can shape you into the kind of souls who can face any future with boldness and wisdom and nobility, so that you need not know the future at all, so that any future will be an opportunity for greatness, if you have greatness in you.
Prentice Alvin (1989), Chapter 15.
By the time Verily was sixteen, a sturdy and rather good-looking young man of some education and impeccable manners, he had become a thoroughgoing skeptic. If the dogmas about witchery could be so hopelessly wrong, how could any of the teachings of the ministers be relied upon? It left Verily Cooper at loose ends, intellectually speaking, for all his teachers spoke as if religion were the cornerstone of all other learning, and yet all of Verily's actual studies led him to the conclusion that sciences founded upon religion were uncertain at best, utterly bogus at worst.
Alvin Journeyman (1995), Chapter 9.
There were always people searching for the Unmaker, for some awful destructive power outside themselves. Poor fools, they always thought that Destruction was merely destruction, they were using it and when they were done with it, they'd set to building. But you don't build on a foundation of destruction. That's the dark secret of the Unmaker, Alvin thought. Once he sets you to tearing down, it's hard to get back to building, hard to get your own self back. The digger wears out the ground and the spade. And once you let yourself be a tool in the Unmaker's hand, he'll wear you out, he'll tear you down, he'll dull you and hole you and all the time you'll be thining you're so sharp and fine and bright and whole, and you never go till he lets go of you, lets you drop and fall. What's that clatter? Why, that was me. That was me, sounding like a wore-out tool. What you leaving me for? I still got use left in me? But you don't, not when the Unmaker's got you.
Alvin Journeyman (1995), Chapter 14.
The desire to force others to bend or break to her will was always there, usually hidden deeply enough that she could forget she had that wish within her, but occasionally surfacing to dangle the ripe fruit of power just out of her reach. She knew, as few others did, that the power to coerce depended entirely on the fear or weakness of other human beings. It was possible to use coercion, yes, but in the end you found yourself surrounded only by the weak and fearful, with all those of courage and strength arrayed against you.
Heartfire (1998), Chapter 6.
“This is today’s puzzle,” he said. “If the act of denial can be taken as proof of the crime, how can an innocent man defend himself?” The tithingmen caught him by the arms. “Come along now, Mr. Emerson, and don’t go trying any philosophy on us.” “Oh, I wouldn’t dream of it,” said Waldo. “Philosophy would be wasted against such sturdy-headed men as you.” “Glad you know it,” said the tithingman proudly. “Wouldn’t want you thinking we weren’t true Christians.”
Heartfire (1998), Chapter 9.

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