Carolina Quotes

Walker Percy

North Carolina · connected1916–1990

American philosophical novelist

  • Studied at University of North Carolina at Chapel Hill

writer, novelist, philosopher, physician

Quotations with a citation

In the libraries

Read Walker Percy

Recorded without a firm citation

Kept here, labelled, rather than mixed in above.

She refers to a phenomenon of moviegoing which I have called certification. Nowadays when a person lives somewhere, in a neighborhood, the place is not certified for him. More than likely he will live there sadly and the emptiness which is inside him will expand until it evacuates the entire neighborhood. But if he sees a movie which shows his very neighborhood, it becomes possible for him to live, for a time at least, as a person who is Somewhere and not Anywhere. (1.7).
The Moviegoer (1961)

no citation recorded

Christians talk about the horror of sin, but they have overlooked something. They keep talking as if everyone were a great sinner, when the truth is that nowadays one is hardly up to it. There is very little sin in the depths of the malaise. The highest moment of a malaisian's life can be the moment when he manages to sin like a proper human (Look at us, Binx — my vagabond friends as good as cried out to me — we're sinning! We're succeeding! We're human after all!).
The Moviegoer (1961)

no citation recorded

To tell the absolute truth, I’ve always been slightly embarrassed by Walter’s company. Whenever I’m with him, I feel the stretch of the old tightrope, the necessity of living up to the friendship of friendships, of cultivating an intimacy beyond words. The fact is that we have little to say to each other. There is only this thick sympathetic silence between us. We are comrades, true, but somewhat embarrassed comrades. It is probably my fault. For years now I have had no friends. I spend my entire time working, making money, going to movies and seeking the company of women.
The Moviegoer (1961)

no citation recorded

Today is my thirtieth birthday and I sit on the ocean wave in the schoolyard and wait for Kate and think of nothing. Now in the thirty-first year of my dark pilgrimage on this earth and knowing less than I ever knew before, having learned only to recognize merde when I see it, having inherited no more from my father than a good nose for merde, for every species of shit that flies - my only talent - smelling merde from every quarter, living in fact in the very century of merde, the great shithouse of scientific humanism where needs are satisfied, everyone becomes an anyone, a warm and creative person, and prospers like a dung beetle, and one hundred percent of people are humanists and ninety-eight percent believe in God, and men are dead, dead, dead; and the malaise has settled like a fall-out and what people really fear is not that the bomb will fall but that the bomb will not fall - on this my thirtieth birthday, I know nothing and there is nothing to do but fall prey to desire.
The Moviegoer (1961)

no citation recorded

To become aware of the possibility of the search is to be onto something. Not to be onto something is to be in despair. The movies are onto the search, but they screw it up. The search always ends in despair. They like to show a fellow coming to himself in a strange place-but what does he do? He takes up with the local librarian, sets about proving to the local children what a nice fellow he is, and settles down with a vengeance. In two weeks time he is so sunk in everydayness that he might just as well be dead.
The Moviegoer (1961)

no citation recorded

He was a young man of pleasant appearance. Of medium height and exceedingly pale, he was nevertheless strongly built and quick and easy in his ways. Save for his deafness in one ear, his physical health was perfect. Handsome as he was, he was given to long silences. So girls didn't know what to make of him. But men liked him. After a while they saw that he was easy and meant no harm. He was the sort whom classmates remember fondly; they liked to grab him around the neck with an elbow and cuff him around. Good-looking and amiable as he was, however, he did not strike one as remarkable. People usually told him the same joke two or three times.
The Last Gentleman (1966)

no citation recorded

Once again he began to feel bad in the best of environments. And he noticed that other people did too. So bad did they feel, in fact, that it took the worst of news to cheer them up. On the finest mornings he noticed that people in the subway looked awful until they opened their newspapers and read of some airliner crashing and killing all hundred and seven passengers. Where there had been misery in their happiness, now as they shook their heads dolefully at the tragedy they became happy in their misery.
The Last Gentleman (1966)

no citation recorded

Where does one start with a theory of man if the theory of man as an organism in an environment doesn't work and all the attributes of man which were accepted in the old modern age are now called into question: his soul, mind, freedom, will, Godlikeness? There is only one place to start: the place where man's singularity is there for all to see and cannot be called into question, even in a new age in which everything else is in dispute. That singularity is language...
The Message in the Bottle (1975)

no citation recorded

The lives of other people seemed even more farcical than his own. It astonished him that as farcical as most people's live were, they generally gave no sign of it. Why was it that it was he not they who had decided to shoot himself? How did they manage to deceive themselves and even appear to live normally, work as usual, play golf, tell jokes, argue politics? Was he crazy or was it rather the case that other people went to any length to disguise from themselves the fact that their lives were farcical? He couldn't decide.
The Second Coming (1980)

no citation recorded