Carolina Quotes

The 2020s

120 quotations.

…‘I think I was a better writer when I was younger.’…I was more detailed, I took more time. It’s not as if I’m in a rush now, but I trust the reader more. I don’t feel like I have to say that much about the character’s inner feelings. But then as I read The Accidental Tourist I thought, ‘Well, it’s kind of nice to see all of Macon’s inner feelings there.’
Anne TylerOn how she compares her writings in in “Anne Tyler: 'Up close you’ll always see things to be optimistic about'” in The Guardian (2020 Apr 11)
A nation of lost and fatherless boys and drifting young men is terrified that we have too much patriarchy. Why, it reinforces my belief in the existence of demons: unassisted man could never be so blank and stupid as to fear that fathers have too much authority when boys and girls by tens of millions grow up with none at all. Only Beelzebub can explain it. A nation of fornicators, sodomites, divorcees, pornographers, and users of pornography, a nation of casual obscenity, erupts in wrath against boorish flirting. A nation of cultural amnesia tears down memorials. A nation that murders a million of its children every year is full of benevolent neighbors who have the social workers at your door if they see your child riding a bicycle without a helmet. A nation of the religiously indifferent, ruled by innumerable and anonymous puppet-masters of bureaucracy, suspects a theocrat around every corner.
A major disconnect between the people and the politics is one of the things that the housing crisis has made even clearer. There are millions of people facing eviction right now, and from the way that these politicians are acting around this issue, you would not think they saw the same thing. I think it just shows how this is something that doesn't touch them—they have health care, they have housing, you know what I mean? They’re so disconnected from the reality of how many other people are living, I don’t think that they really recognize just how wide that wealth inequality is. The politicians are generally not able to respond because they’re so disconnected from that experience.
We want to be careful, especially as the idea of taking down these monuments becomes more mainstream. The establishment will try to co-opt it and repackage it in a certain kind of way. We have to be careful that we don’t allow them to do that, because what they’ll do is take the monuments down and say, “Oh, we’ve solved racism. Let’s carry on.” At the same time, the monuments are significant, or else it wouldn’t be such an issue. There wouldn’t be such a showdown over whether or not to take it down. You wouldn’t have people fighting so vehemently to keep these Confederate monuments in place because they do mean something. It’s an ideological battle. There’s a reason why, particularly throughout the South, in front of every county courthouse, you have this same Confederate soldier monument. It’s supposed to send a message that even though the Confederacy lost the war, white power is still the order of the day in the South. I don’t see a scenario where all of these issues are resolved, we’re on the other side of systemic racism, and we still have monuments of the Confederacy up. Erecting the monuments was part of the colonization process all around the world—a part of the way that they indicated that we are in control and the way to constantly send the message that they’re in control. So that is a part of the process. Taking down monuments to [Christopher] Columbus and these other colonial figures is a part of the decolonization process.
The other thing I have pointed out is this whole narrative around peaceful protests. When it all first started out, people were peacefully protesting and the cops were tear-gassing them. The establishment was not out in front saying, “Oh, don’t tear gas the protestors.” People started looting, they started burning things down, and then the establishment was, “Oh, no, we embrace peaceful protest.” Their primary concern is always commerce and continuing with capitalism and the status quo, everyday business, and protecting property. That’s always the primary concern above anything else.
There’s power in naming our heroes and lifting them up. We don’t have many monuments to Black people or women—especially Black women—like, anywhere. If it weren’t significant, then it wouldn’t be an issue, right? I remember when people were like, “Oh, don’t just put Harriet Tubman on the $20 bill—what is that doing? How does that address capitalism?” That’s true, but at the same time, if it didn’t have any power, then they wouldn’t have any problem with doing it. The reason that they don’t do that is because they don’t want people thinking about this revolutionary figure. Imagine if every time you saw a $20 bill, you saw Harriet Tubman and you’re reminded of slavery. You’re reminded of how we’re still struggling. There’s value in it, but I don’t want us to over-prioritize that above addressing the material conditions of our people—because, again, what the establishment will do is say, “OK, yeah, we’re going to take down a Columbus statue, put up a Harriet Tubman statue, take down this statue, put up a Frederick Douglass statue,” [and] that will become the project while people are still homeless. People are still not going to have living wages, and that [ends up] becoming the new neoliberal project.
What you’ve seen in this latest slate of picks is a lot of emphasis on the identity of the individuals picked, a lot of firsts in the group. And even folks with less — or less, shall we say, more attenuated relationships to traditional identity characters have gone as far as to talk about the struggles of their stepfather’s family, right? And I think that’s very intentional, because substantively several of these individuals have real problems, and none of them truly represents a progressive in the mindset of most Americans, especially those who identified with Bernie Sanders. And Neera Tanden is someone, in particular, who was very notorious for being openly antagonistic of Senator Sanders, who, again, represented the largest coalition of progressive voters in this country
In a world where student loan debt, especially in the course of the primary, was still being characterized by the overwhelming bulk of Democratic Party candidates as something that was a far-left, inappropriate policy to pursue, and which, even in the context of Joe Biden, is still being framed as something that should be pushed in a very minimalist way — right? — he has the power to cancel all student debt on day one but is talking about canceling a maximum $10,000; Chuck Schumer, some others are pushing for more — I’m not overly optimistic that this policy, which is one of few that Biden has control over, is going to be dealt with in the maximalist way that the crisis compels.
And so there’s a great deal of frustration that there is this choice not only to nominate a candidate who is known as the author of what is actually called the Joe Biden crime bill, but that he’s gone and also selected a running mate who is known for being the top cop from California, the state that has the second-highest number of incarcerated people in America. And moreover, Kamala Harris is someone who has had these criticisms leveraged at her throughout, very early on, at the start of her campaign, and, to many people in the activist community, has done very little to assuage people’s concerns about her previous stances or to demonstrate the level of growth that we would like to see.
There has been an implication, online at the very least, that the people who have raised concerns about Kamala Harris and her record are not the base, are not Black people, are white leftists. The “Bernie bro” mythology has been raised as a specter again, when the reality is there’s a lot of grassroots frustration with the fact that this, again, unprecedented political movement is basically being ignored, or at very least a nose is being thumbed at what’s going on in the streets right now.
With respect to the Democratic National Convention, you know, I think the party is sending a very clear signal about whose votes they are reaching for and whose they aren’t. They have John Kasich, who is a Republican and who has attempted to pass some of the most draconian anti-abortion laws in the state of Ohio, in a prime spot, when there was news for a while that suggested that they weren’t even going to allow AOC to speak. Of course, they now have. But they have made gestures like barring The Young Turks, one of the preeminent lefty news organizations, from having a press pass to a digital event. Why you would do that, other than to send a kind of signal to progressives that you’re not interested in their vote, I don’t know. So, it’s a really curious choice. It feels again like it’s 2016, and there is a dynamic being set up where there is a kind of wanton disregard for the values and interests of what is coming up to be the new base, the insurgent left wing of the party, the part of the party that just celebrated the victory of Cori Bush last week and Jamaal Bowman and Mondaire Jones. And it is telling that the only people under the age of 40 — under the age of 50, rather, who are speaking at this event are AOC and Pete Buttigieg.
When Facebook is sort of grinding down your privacy, you don't see it. And although you will feel it, you won't feel it for years.... these companies have quietly created perfect records of everything you've done, everywhere you've gone, everything you've clicked, everything you've liked, how long you've stayed on a page, you know, when you had to scroll up to reread a section. All of that is captured, and they use this to model ways to influence your behavior to actually shape and manipulate the decisions you make as a human being.
Telling stories or trying to portray a message through a body, how that body looks in a garment, and how the garment affects the way the body moves; to modeling, which is bringing garments to life with your body; then to acting, which is bringing a character to life with your body and mind. It feels linked in a lot of ways. That's been the project of my life. Just trying to feel seen and learn how to see others correctly.
Hunter SchaferKilbane, Brennan (August 11, 2020). "Hunter Schafer: "Trying to Feel Seen Has Been the Project of My Life"". Allure.
I think that with a book, you can excavate a story so much more because you're really in the character's head and you can go into much deeper detail. In a movie, what you might spend pages describing, you can do that in a flash. But there's also a feeling that you have to really streamline a movie too so it stays on the right track. And I think I would say that there are definitely changes made, but I think that to me, the spirit of the story is there. And that was what was most important to me, was just that people walked away with the same feeling that they had when they read the books, which is just, I hope, feeling a warm-hearted, cozy feeling.
Jenny HanAs quoted in "'To All the Boys 2' author Jenny Han opens up about her favorite scenes, the biggest takeaways, and filming challenges for the sequel" in Insider (14 February 2020)
Schools across the country celebrate Dr. Martin Luther King Day today... Many schools show his historic “I Have a Dream” speech at the Lincoln Memorial, a speech given before hundreds of thousands... Dr. King's commitment provides a wonderful example for all of us, but particularly for the young. By the wisdom of his teaching, the justice of his cause, the intensity of his commitment, he helped transform America. Today, Dr. King's example is more important than ever. Inequality has reached new extremes. We have a president that purposefully rouses racial and ethnic fears and divisions. Politics has become bitter, partisan, and increasingly marked by extreme and often hateful rhetoric. We are spending more and more on the Pentagon—already the largest military budget by far in the world—and cutting back on programs for the vulnerable, everything from food stamps, to Medicaid, to public housing and aid for poor schools and students. We end up with guided missiles and misguided young people—a tragic waste. Today, a new Poor People’s Campaign is building, organizing lines of race, region, and religion. It has been marching on state legislatures and now is increasing pressure on Washington. It is not about right or left, but about right and wrong. Dr. King called on us to express the better angels of our souls. Now, as we celebrate his life, we would do well to put his lessons into practice.
Jesse Jackson"Dr. King Called On Us to Express the Better Angels of Our Souls", Chicago Sun Times (20 January 2020)
They were also disregarding the real true unemployment rate... even in January of 2016, among African Americans 16%... were unemployed... so this is not full employment... and by education, among African Americans [those who did not finish high school] 32% were unemployed. Now you know why the George Floyds get into trouble with the law. They are not able to find their place in the legal labor market. ...So this is what Marty Feldstein and Donald Trump think of [as] a good economy. Not in my view!
Here is the Lehman Brothers, 2008... the assets of the Federal Reserve is under $1 trillion... and within weeks you have more than a doubling of the assets of the Federal Reserve, and then comes quantitative easing 2 and... 3 and by that time you're at $4 1/2 trillion... and then... comes the Covid crisis and we're up to $7 trillion. Now... that kind of a Capitalism is unsustainable. ...[N]o wonder that there is asset inflation as a consequence... and the stock market went through the roof.
The character is formed during the first few years of life, and the corporations have an impact on the way we think... so consumer sovereignty... is not realistic, because producers spend an incredible amount of money in order to condition children and youth to drink Coca-Cola, to depend on the iPhone, to go to hamburger joints, to McDonald's... So adult economics, forget it! You've got to start the analysis with children, and that means that tastes are endogenous [determined within the economic system! ...The assumption of exogenous tastes is toxic.]
Rawls says... let's design an economy... in such a way that you would be willing to enter that society at random. That's a just society... You don't know your position in it. You don't know whether you're smart or dumb. You don't know your skin color. You don't know your gender. You don't know your parents. You don't know anything about yourself. ...[In that case] we wouldn't design a society like it is today. You would make sure that there is an equitable distribution of power.... that the power is not concentrated... that there is countervailing power, that wealth is not concentrated...
I think you go through a lot of it, just kind of repressing that stress. You’re like, ‘Everything’s great, everything’s fine. Everything’s fine. Nothing bothers me.’ And then one day it just kind of hits you in the face. You know, where you have to acknowledge [the stress]. …There’s a stigma about complaining about work, I guess because it’s so hard to do what we do and it’s a dream for so many people. You feel like you don’t have the right to complain about anything.
Mary Elizabeth Winstead"Scott Pilgrim’s Mary Elizabeth Winstead Reveals Why She Almost Quit Acting" in Cinema Blend (27 October 2020)
I think I automatically pick things up…I feel like I’m able to use my body and pick up the choreography in order to use it to move the story and character forward. That was something I was used to doing in ballet — and performing in pieces where I’d be creating a character with my body and expressing it that way. So that’s something that I still really love to do, and I think that’s partly why action is something that I’ve really taken to.
I think it’s been a very slow progression for me in terms of shifting the perspective. I did a lot of really, really small films that, at least for me, shifted my trajectory in terms of the way that I saw myself as an actor and the projects that I wanted to pursue. I think it helped me bring a deeper level of understanding to the characters that I play, whether they’re in small films or big films. So I think taking some time out to focus on really small, character-driven roles helped lead me to those bigger projects that were also really character-driven and demanded a certain level of depth that I might not have had without those smaller, more character-focused independent films.
I tend to try to be pretty level in my everyday life and on set as well. When I’m not acting, I try to be pretty even-keeled and level. I try to keep myself as calm as I can be. It’s sort of a good state to be in if you don’t know what state you’re going to have to put yourself in from day to day. As an actor, you don’t necessarily know exactly how far you’re going to have to go or what you’re going to have go through for a character. So I try to focus on being calm and happy. I try to keep my stress level pretty low so that I’m not bringing any of that home with me.
…The song does remember the deceased, and it’s the song that helps the deceased move on—to ascend, in the words of the poem, to the next life. I wanted to take that and apply it to senses of transition and, hopefully, ascendance within life, moments where one feels one has to move on and move up. I didn’t know it would become an ongoing, theoretically endless series—
Nathaniel MackeyOn his series Song of the Andoumboulou in “Nathaniel Mackey, The Art of Poetry No. 107” in The Paris Review (Spring 2020)
I also think that in today’s industry, the financial repercussions of making a bad story have been mitigated by streaming services and cable fees, so that many movies are greenlit based on factors other than good story-telling. Connection to an audience is less important than impressing the decision-makers above you in the food chain, because they are the gatekeepers. Aligning with the popular messages or attitudes of the day have caused a lot of sloppy and obvious scripts to be funded and made, and that is why, IMHO, that the product coming out of Hollywood has been less popular — and mistrusted by a large part of the potential audience.
Nick SearcyNick Searcy: Stop Being Afraid of Hollywood Bullies (March 17, 2020)

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