Abstract Expressionism – especially Pollock, not the more academic painters like De Kooning – made the threshold between illusion and the stuff of painting lower, the distance between them closer. Pollock made all things about the picture, all the stuff, actual. Taking the canvas off the stretcher, putting it on the floor, made it more real. Mixing up different kinds of paint, getting it to stain in, was getting at a kind of materiality.
Kenneth Noland Carolinian
Source
Kenneth Noland, p. 14
- work
- "Conversation with Karen Wilkin" (1986-1988)
- year
- 1986
- locator
- p. 14
Cite this record
“Abstract Expressionism – especially Pollock, not the more ac…” Kenneth Noland. Carolina Quotes, record CQ-08CA286610. https://carolinaquotes.com/quote/08ca286610
More from Kenneth Noland
I think that we [= Morris Louis and Noland] realized that you didn't have to assert yourself as a personality in order to be personally expressive. We felt that we could deal solely with aesthetic issues, with the meaning of abstraction, without sacrificing individuality – or quality.
Tony Cairo [English abstract sculptor] and I tried to collaborate at several points and it hasn't been successful. As a matter of fact, recently Tony has made sculpture that I have painted. He has to make the sculpture before I can paint it. That means that the form is taking precedence – that the material takes precedence as a form, rather than color establishing the form. It's not going to well but I'm working on it. There's something about color that is so abstract that it is difficult for it to function in conjunction with solid form.. .Color has properties of weight, density, transparency, and so forth. And when it also has to be compatible with things that have an actual density, a given form, it's very difficult.
I believe in working every day, and not necessarily repeating one way of working. I like to make something come out of trial and error methods – fooling around with mediums and taking the chance of its not coming to everything.