Carolina QuotesThings somehow seem more real and vivid when one can apply somebody else's ready-made phrase about them. And then there are lots of lovely names and words — Monophysite, Iamblichus, Pomponazzi; you bring them out triumphantly, and feel you've clinched the argument with the mere magical sound of them. That's what comes of the higher education.
Aldous Huxley Connected to the Carolinas
Source
Ch. 4 (Denis)
- work
- Crome Yellow (1921)
- year
- 1921
Cite this record
“Things somehow seem more real and vivid when one can apply s…” Aldous Huxley. Carolina Quotes, record CQ-0927E6464B. https://carolinaquotes.com/quote/0927e6464b
More from Aldous Huxley
That which besets me is indifference. I can't be bothered about people. Or rather, won't. For I avoid, carefully, all occasions for being bothered. ... Indifference is a form of sloth, and sloth in its turn is one of the symptoms of loveless-ness. One isn't lazy about what one loves. The problem is: how to love?
Our present economic, social and international arrangements are based, in large measure, upon organized lovelessness. We begin by lacking charity towards Nature, so that instead of trying to co-operate with Tao or the Logos on the inanimate and subhuman levels, we try to dominate and exploit, we waste the earth's mineral resources, ruin its soil, ravage its forests, pour filth into its rivers and poisonous fumes into its air. From lovelessness in relation to Nature we advance to lovelessness in relation to art--a lovelessness so extreme that we have effectively killed all the fundamental or useful arts and set up various kinds of mass production by machines in their place. And of course this lovelessness in regard to art is at the same time a lovelessness in regard to the human beings who have to perform the fool-proof and grace-proof tasks imposed by our mechanical art-surrogates and by the interminable paper work connected with mass production and mass distribution. With mass-production and mass-distribution go mass-financing, and the three have conspired to expropriate ever-increasing numbers of small owners of land and productive equipment, thus reducing the sum of freedom among the majority and increasing the power of the minority to exercise a coercive control over the lives of their fellows.
Art, I suppose, is only for beginners, or else for those resolute dead-enders, who have made up their minds to be content with the ersatz of Suchness, with symbols rather than with what they signify, with the elegantly composed recipe in lieu of actual dinner.