..I write you from the French front where I'am serving as a soldier in the Russian ambulance Corps. How are you feeling and what are you doing? How are your friends, Lissitsky, Libakov [also former students of Pen], Mazel, Mekler, and Chagall? Please, for God's sake, answer me. I would be so glad to hear how everyone is. I'm in fine health, but tired of it all – it's utterly disgraceful, makes the soul turn cold. If only it [the war] would just end. What are you working on, what are you doing? Please write me. – Yours Zadkine.
Ossip Zadkine Connected to the Carolinas
Source
Quote in a letter of Zadkine (in France) to his former art-teacher Yuri Moiseevich Pen in Vitebsk, Russia, 16 Nov. 1916 (transl. into Belorussian E.M. Kichina); as quoted in Vitebsk: The Life of Art, by Aleksandra Semenovna Shatskikh; Yale University Press, 2007, p. 19
- year
- 1916
- locator
- p. 19
Cite this record
“..I write you from the French front where I'am serving as a …” Ossip Zadkine. Carolina Quotes, record CQ-494799E936. https://carolinaquotes.com/quote/494799e936
More from Ossip Zadkine
Were I to concentrate exclusively on the body of Prometheus, I would be seriously limiting the scope of my rendering of the demigod; but because I concentrate also on the myth of Prometheus, on all that the great poets have written about him, I expand the meaning of the demigod's physical form and try to communicate.. ..the basic message of the legend of Prometheus, who stole fire from the gods and taught man to cook his foods, to smelt metal ore and to forge his tools and weapons. [c. 1960]
I repeatedly told myself that the life of Vincent van Gogh and his colossal oeuvre – are not an individual outburst but a special and rare occurrence based on the special bond between the two brothers, only broken by Vincent's suicide.
In my own researches and findings I have always insisted on plastic and sculptural values, and also on what I call a poetic climate. The object, whether it is a book, a bottle, or a human body, once it is visualized and expressed by means of clay, stone, or wood, ceases to be a document and becomes an animated object in stone, wood, or bronze and lives its independent life..