Carolina Quotes
And then there is that one-man movement, Marcel Duchamp — for me a truly modern movement because it implies that each artist can do what he thinks he ought to — a movement for each person and open for everybody.

Willem de Kooning Connected to the Carolinas

Source

Quoted in A Brief History of American Culture (1996) by Robert M. Crunden, p. 279.

work
1990s & from posthumous publications
year
1996
locator
p. 279

Cite this record

“And then there is that one-man movement, Marcel Duchamp — fo…” Willem de Kooning. Carolina Quotes, record CQ-5C38386F7C. https://carolinaquotes.com/quote/5c38386f7c

More from Willem de Kooning

I think I would choose Soutine.. .I've always been crazy about Soutine - all of his paintings. Maybe it's the lushness of the paint. He builds up a surface that looks like a material, like a substance. There's a kind of transfiguration, a certain fleshiness in his work.. .I remember when I first saw the Soutine's in the Barnes Collection.. ..the Matisse's had a light of their own, but the Soutine's had a glow that came from within the paintings - it was another kind of light.
The impact of Chaim Soutine (1893-1943): de Kooning, Pollock, Dubuffet, Bacon, publisher: Hatje Cantz, Galerie Gmurzynska, Cologne (Köln), 2001. — Answer on the question who is his favourite artist, probably made around 1977.
I feel now if I think of it, it will come out in the painting. In other words, if I want to make the whole painting look like a bottle, like a lot of bottles - for instance maybe the end of the day, when everything is very light, but not in sunlight necessarily - and so if I have this image of this bottle and if I really think about it, it will come out in the painting. That doesn’t mean that people notice a bottle, but I know when I succeed in it – then the painting would have this.
interview conducted by David Sylvester for the BBC, 1962; as quoted in Abstract Expressionism: Creators and Critics, edited by Clifford Ross, Abrahams Publishers, New York 1990, p. 49.
I met him [Arshile Gorky] in 1929. Of course I met a lot of artists, but then I met Gorky. Well I had some training in Holland, quite a training, you know, The Academy. And then I met Gorky [in New York], who didn't have that at all, he became from no place [Tiflis, Armenia].. .And for some mysterious reason, he knew lots more about painting, and art, he just knew it by nature - things I was supposed to know and feel and understand - he really did it better. He had an extraordinary gift for hitting the nail on the head, very remarkable, so I immediately attached myself to him and we became very good friends.
In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in 'Location', Spring 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 47

All Willem de Kooning quotations