I believe that there are varying points of contact. You have to be able to see the whole thing first. All great paintings are sculptures – there's so much of the factualness about it that a great painting forces you into a visual, physical movement of yourself. That's what determines the way you experience a painting kinetically. You move closer, you sight down it, you till your head, you step back, you feel as though you are in it. That being in it is just as important as looking from a distance.
Kenneth Noland Carolinian
Source
Kenneth Noland, p. 10
- work
- "Conversation with Karen Wilkin" (1986-1988)
- year
- 1986
- locator
- p. 10
Cite this record
“I believe that there are varying points of contact. You have…” Kenneth Noland. Carolina Quotes, record CQ-609EB7E6E6. https://carolinaquotes.com/quote/609eb7e6e6
More from Kenneth Noland
I have to work things out by painting them. I can't just imagine what will happen. I have to do it and see it. That's the only way I find out if it will go anywhere.
Tony Cairo [English abstract sculptor] and I tried to collaborate at several points and it hasn't been successful. As a matter of fact, recently Tony has made sculpture that I have painted. He has to make the sculpture before I can paint it. That means that the form is taking precedence – that the material takes precedence as a form, rather than color establishing the form. It's not going to well but I'm working on it. There's something about color that is so abstract that it is difficult for it to function in conjunction with solid form.. .Color has properties of weight, density, transparency, and so forth. And when it also has to be compatible with things that have an actual density, a given form, it's very difficult.
One of my grandfathers was a blacksmith, and all the plumbers and carpenters and electricians, people who did things with their hands, thought of themselves as artists because they were good at doing things. They were proud of their making things.