I have another feeling that in working with a canvas, and with something you picked up off the street and you work on it for three or four days or maybe a couple of weeks and then, all of a sudden, it is in another situation. Much later, you go to see somebody in California, and there it is. You know that you know everything about that painting, so much more than anybody else in that room. You know where you ran out of nails.. .At the time I did that early piece, I didn't know it was the lower right-hand corner that had the new element – that that part would grow and that other parts would relate more to the past.
Robert Rauschenberg Connected to the Carolinas
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- work
- 'I never thought of it as much of an ability,' (1968)
- year
- 1968
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“I have another feeling that in working with a canvas, and wi…” Robert Rauschenberg. Carolina Quotes, record CQ-70187E331C. https://carolinaquotes.com/quote/70187e331c
More from Robert Rauschenberg
It was my sensual excessiveness that jarred him [ Jasper Johns.] He was always an intellectual. He read a lot, he wrote poetry – he would read Hart Crane's poems to me, which I loved but didn't have the patience to read myself – and he was often critical of things like my grammar. But you don't let a thing like that bother you if you have only two or three real friends.
I think the ideas [as starting point for his paintings] are based upon very obvious physical facts – notions that are also simple-minded, such as, in the 'White Paintings', wanting to know if that was a thing to do or not, or in 'Factum', wondering about what the role of accident is. Those aren't really very involved ideas.
There was a whole language that I could never make function for myself; it revolved around words like 'tortured', 'struggle'. 'pain'.. .I could never see these qualities in paint – I could see them in life and art that illustrates life. But I could not see such conflicts in the materials and I knew that it had to be in the attitude of the painter.