The last few years have been marked by an inverted millenarianism in which premonition of the future, catastrophic or redemptive, have been replaced by senses of the end of this or that (the end of ideology, art, or social class; the "crisis" of Leninism, social democracy, or the welfare state, etc., etc.,); taken together, all of these perhaps constitute what is increasing called postmodernism.
Fredric Jameson Carolinian
Source
Chapter One: The Cultural Logic Of Late Capitalism
- work
- Postmodernism: Or, The Cultural Logic of Late Capitalism (1991)
- year
- 1991
Cite this record
“The last few years have been marked by an inverted millenari…” Fredric Jameson. Carolina Quotes, record CQ-79A4C7CE20. https://carolinaquotes.com/quote/79a4c7ce20
More from Fredric Jameson
The problem of postmodernism - how its fundamental characteristics are to be described, whether it even exists in the first place, whether the very concept is of any use, or is, on the contrary, a mystification - this problem is a t one and the same time an aesthetic and political one.
Someone once said that it is easier to imagine the end of the world than to imagine the end of capitalism. We can now revise that and witness the attempt to imagine capitalism by way of imagining the end of the world.
Utopia is a spatial matter that might be thought to know potential change in fortunes in so spatialized a culture as the postmodern; but if this last is a dehistoricized and dehistorizing as I some times claim here, the synaptic chain that might lead the Utopian impulse to expression becomes harder to localize. Utopian representations knew an extraordinarily revival in the 1960's; if postmodernism is the substitute for the sixties and the compensation for their political failure, the question of Utopia would seem to be a crucial test of what is left of our capacity to imagine change at all.