Carolina Quotes
To me, Pollock is the height of American painting. It's very lyrical. Gorky, who is very passionate, can copy a drawing or take a drawing and copy it exactly as a painting, and Miro can too, it's amazing. Miro can do a drawing to paint and that's another training in a sense. So there's a certain mannerism that comes in both of them [three], and probably everything becomes obvious in time. But I don't have that. The line is illustrated or the colour. I'm sure it has great feeling when they're doing it, but it's more towards defining something. It has a certain clarity because it's a complex thing. I'm a painter and my whole balance is not having to think about things. So all I think about is painting. It's the instinct for the placement where all that happens. I don't have to think about it. So I don't think of composition; I don’t think of colour here and there. Sometimes I alter something after. So all I could think is the rush.. .I cannot make a picture unless everything is working. It's like a state.

Cy Twombly Connected to the Carolinas

Source

p. 179

work
'Cy Twombly, 2000', by David Sylvester (June 2000)
year
2000
locator
p. 179

Cite this record

“To me, Pollock is the height of American painting. It's very…” Cy Twombly. Carolina Quotes, record CQ-79D87E00D5. https://carolinaquotes.com/quote/79d87e00d5

More from Cy Twombly

It's a sort of infantile thing, painting. Paint in a sense is a certain infantile thing. I mean in the handling. I start out using a brush but then I can't take the time because the idea doesn't correspond, it gets stuck when the brush goes out of paint in a certain length of time. So I have to go back and by then I might have lost the rest of it. So I take my hand and I do it. Or I have those wonderful things that came in later: paint sticks.. .So I had to find things that I could use, like my hands or the paint sticks.. .And I did those charts, big palettes.. .two or three paintings with palettes and all of the colours – pink, flesh, brown, red for blood. And I think with most painters you can think and it can change very fast, the impetus of what something is. It's instinctive in a certain kind of painting, not as if you were painting an object or special things, but it's like coming through the nervous system. It's like a nervous system. It's not described, it's happening. The feeling is going on with the task.
'Cy Twombly, 2000', by David Sylvester (June 2000), p. 179
In painting it is the forming of the image.
In: 'In painting it is the forming of the image', Cy Twombly, 'L'Esperienza moderna', 1957; as quoted in Cy Twombly, a monograph, Richard Leeman / picture research Isabelle d’Hauteville. London, 2005 p. 239

All Cy Twombly quotations