Arms, hands [of the two van Gogh brothers, Vincent and Theo], like rifles, thrust out like non-stop ideas thoughts. Enormous thick veins like the ropes of a ship through which flow thoughts and inspirational excitement. They join the two brothers like nerve connections that pass from one body to the other, channeling the waves and opening up both in a magnetic ring of work and passion.
Ossip Zadkine Connected to the Carolinas
Source
c. 1955; as quoted in: Zadkine and Van Gogh, ed. Garance Schabert and Ron Dirven (transl. Anne Porcelijn), Vincent van Goghhuis, Zundert & Scriptum Art, Schiedam 2008, p. 64
- year
- 1955
- locator
- p. 64
Cite this record
“Arms, hands [of the two van Gogh brothers, Vincent and Theo]…” Ossip Zadkine. Carolina Quotes, record CQ-889C9FA34D. https://carolinaquotes.com/quote/889c9fa34d
More from Ossip Zadkine
In October 1945 I returned from America, where I had stayed during the war. I arrived in Le Havre, full of ruins, a carcass of a city. It took one night to reach Paris on a train with no windows. That night I got the idea for the monument. I sketched it on paper and forgot about it, until I visited Rotterdam for the first time in 1947. I saw a city without a heart. I saw a crater in the body of a city. And I remembered that night, the sketches. I made a small terracotta model and sent it to an exhibition of French art in Germany.
How should one approach the person of van Gogh in order to be able to build a statue of him? How can one place him outside of himself, separate him from the tragic character of his life? How can one build a statue in the open air which simultaneously evokes the rare and the new person who was van Gogh, as also the enormity of the new aspect of the current and future art of painting?
The mysterious musicality, the organic intermarriage of its forms convex and concave, the high singing phrase of a straight line bordering a plane and its sudden dropping into a scarcely traceable curve, and feel deeply, sharply, the profound peace, the philosophy awakened by the even distribution of light and shade, wandering from one curved plane into a deep clarity of light, enriching a carefully carved stone plane. One will understand at once that those awakened sensation have nothing to do with anatomical considerations, exactitudes observed or not.