[I have] various tricks to actually reach that solitary point of creativity. One of them is pretending I have an idea. But that trick doesn't survive very long because I don't really trust ideas – especially good ones.. .Rather, I put my trust in the materials that confront me, because they put me in touch with the unknown. It is then that I begin to work.. ..when I don't have the comfort of sureness and certainty. Sometimes Jack Daniels helps too. Another good trick is fatigue. I like to start working when it's almost too late.. ..when my sense of efficiency is exhausted.
Robert Rauschenberg Connected to the Carolinas
Source
Quote from 'Robert Rauschenberg: An Audience of One', John Gruen, Art News, 29, February 1977, p. 48
- work
- 1970's
- year
- 1970
- locator
- p. 48
Cite this record
“[I have] various tricks to actually reach that solitary poin…” Robert Rauschenberg. Carolina Quotes, record CQ-91BB96A4E2. https://carolinaquotes.com/quote/91bb96a4e2
More from Robert Rauschenberg
My whole area of art activity has always been addressed to working with other people.. .You see, I personally like the sensual contact of collaborating. Ideas are not real estate. In collaboration one can accept the fact that someone else can be so sympathetic and in tune with what you’re doing, that through this they move into depths that might not be obvious if that person had been working alone in a studio with the door shut.
I got so depressed that I went to an astrologer.. ..everybody I knew was breaking up. Everything was falling apart. There was such an abundance of bad news [on his retreat to Captiva where he started his studio and a print studio]
One gets as much information as a witness of activity from a fleeting glance [in the photo], like a quick look, sometimes in motion, as one does staring at the subject. Because even if you remain stationary your mind wanders, and it's that kind of activity that I would like to get into the photograph – a confirmation of the fact that everything is moving.