When I was young I was more obsessed with the materiality of things.. ..today I am more interested in air and atmosphere. This is why I deliberately treat space ambivalently. For example, an orange painting with white lines might be viewed as an orange wall with white lines, but the orange colour is no less atmospheric for all of that. It abounds white light, and the white line vibrate in a deep space, too, as well as an orange 'wall'.
Robert Motherwell Connected to the Carolinas
Source
Interview with Irmeline Lebeer, in 'Recent Work', Princeton Art Museum, 1973 pp. 10-13
- form
- interview
- work
- after 1970
- year
- 1970
- locator
- pp. 10-13
Cite this record
“When I was young I was more obsessed with the materiality of…” Robert Motherwell. Carolina Quotes, record CQ-9B8FCF6B93. https://carolinaquotes.com/quote/9b8fcf6b93
More from Robert Motherwell
The aesthetic is the sine qua none for art: if a work is not aesthetic, it is not art by definition.. .We feel through the senses, and everyone knows that the content of art is feeling; it is the creation of an object for sensing that is the artist's task; and it is the qualities of this object that constitute its felt content.
I love painting the way one loves the body of a women.. ..if painting must have an intellectual and social background, it is only to enhance and make more rich an essentially warm, simple, radiant act, for which everyone has a need.
One is to know that art is not national, that to be merely an American or a French artist is to be nothing; to fail to overcome one's initial environment is never to reach the human.. .Thus when we say one of the ideals of modern art has been internationalism, it is.. ..as a natural consequence of dealing with reality on a certain level. [quote in 1946]