We lived in a large wooden house, with one room succeeding another [Zadkine, recalling in this quote his childhood's days in Smolensk, Russia]. The house was at the end of a blind alley. On one side were a beautiful garden and an orchard. In the summer there was an atmosphere of fragrance and peace. A large room with three windows looked out into the courtyard. Bookshelves along the walls with books and more books; a black table and six ugly Viennese chairs, also black, and in the center of the bare, inhospitable table, a sort of vase in coloured plaster representing a hand holding a goblet. It was the only piece of sculpture in the house!
Ossip Zadkine Connected to the Carolinas
Source
'The artist, his life and his epoch' (excerpt), Ionel Jianou, 1964; for the Zadkine Research Center
- year
- 1964
Cite this record
“We lived in a large wooden house, with one room succeeding a…” Ossip Zadkine. Carolina Quotes, record CQ-9D870B9E61. https://carolinaquotes.com/quote/9d870b9e61
More from Ossip Zadkine
But Orpheus has always haunted me, and I am not so sure I've exorcised his spell on me. For all I know, I may yet be tempted to try a sixth or a seventh 'Orpheus' in years to come. Besides the scale of each figure makes it necessary to conceive it differently. [c. 1960]
Were I to concentrate exclusively on the body of Prometheus, I would be seriously limiting the scope of my rendering of the demigod; but because I concentrate also on the myth of Prometheus, on all that the great poets have written about him, I expand the meaning of the demigod's physical form and try to communicate.. ..the basic message of the legend of Prometheus, who stole fire from the gods and taught man to cook his foods, to smelt metal ore and to forge his tools and weapons. [c. 1960]
At first, I thought I had found in this second figure [a bronze Orpheus, Zadkine made shortly after his return from New York to Paris, in 1944] the perfect solution, but a surprise awaited me. One day my coal merchant delivered to me, here in my studio, some wood for heating; among these logs I found a rudimentary but completely mysterious wooden figure of a man. He seemed to be walking in great strides, his torso suggested by only two simple boards which, in their structure, were very much like an ancient lyre. I immediately began working on a new 'Orpheus', in which the [music-]instrument had truly become part of the man. [c. 1960]