She tried out the chamber pot, although she really had nothing to contribute.
Tom Robbins Carolinian
Source
No citation is recorded for this quotation.
- work
- Still Life with Woodpecker (1980)
- year
- 1980
no citation recorded
Cite this record
“She tried out the chamber pot, although she really had nothi…” Tom Robbins. Carolina Quotes, record CQ-9F5CE58679. https://carolinaquotes.com/quote/9f5ce58679
More from Tom Robbins
It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song. There is evidence that the honoree might be privy to the secret of the universe, which, in case you’re wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person’s biochemical sky more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact, the poetic image may be the only device remotely capable of dissecting romantic desire, let alone disclosing the hidden mystical essence of the material world. Cohen is a master of the quasi-surrealistic phrase, of the “illogical” line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and the bewildering assaults of culture.
In the end, we should simply imagine a joke; a long joke that's being continually retold in an accent too thick and too strange to ever be completely understood. Life is that joke. The soul is its punchline.
...she recreated the mountains not as she had originally seen them but as she eventually chose to perceive them, not only a capacity to observe the world but a capacity to alter his or her observation of it — which, in the end, is the capacity to alter the world, itself. Those people who recognise that imagination is reality's master, we call "sages," and those who act upon it, we call "artists."