Carolina QuotesThere is a train track in the history of art that goes way back to Mesopotamia. It skips the whole Orient, The Mayas, And American Indians. Duchamp is on it. Cézanne is on it. Picasso and the Cubists are on it; Giacometti, Piet Mondrian, and so many.. .I have some feeling about all these people – millions of them – on this enormous track, a way into history. They had a peculiar way of measuring. They seemed to measure with a length similar to their own height.. .The idea that the thing that the artist is making can come to know for itself, how high it is, how wide and how deep it is, is a historical one, - a traditional one I think. It comes from man's own image.
Willem de Kooning Connected to the Carolinas
Source
De Kooning’s lecture Trans/formation at Studio 35, 1950.
- year
- 1950
Cite this record
“There is a train track in the history of art that goes way b…” Willem de Kooning. Carolina Quotes, record CQ-A89DBD8771. https://carolinaquotes.com/quote/a89dbd8771
More from Willem de Kooning
There is a time when you just take a walk.. ..you walk in your own landscape.. .It has an innocence that is kind of a grand feeling.. .Somehow I have the feeling that old man Monet might have felt like that, just simple in front of things, or old man Cézanne too.. .I really understand them now.
The 'Women' [paintings] had to do with the female painted through all ages, all those idols, and maybe I was stuck to a certain extent; I couldn't go on. It did one thing for me: it eliminated composition, arrangement, relationships, light – all this silly talk about line, colour and form – because that was the thing I wanted to get hold of.
The aesthetics of painting were always in a state of development parallel to the development of painting itself. They influenced each other and vice versa. But all of the sudden, in that famous turn of the century [1900] a few people thought they could take the bull by the horns and invent an aesthetic beforehand. After immediately disagreeing with each other, they began to form all kinds of groups, each with the idea of freeing art.. .The question as they saw it, was not so much what you could paint, but what you could not paint. You could not paint a house or a tree or a mountain. It was then that the subject matter came into existence as something you ought not to have.