Carolina Quotes
I alternate my aims; at one time, I concentrate on poetry, on a more expressionist kind of sculpture; at other times on form – I mean on a kind of sculpture that concerns itself with formal relations rather than emotions or ideas. I suppose that this principle of alternating my aims leads to a kind of oscillation in the evolution of my own particular style as a sculptor, but I feel that it prevents me from repeating myself. [c. 1960]

Ossip Zadkine Connected to the Carolinas

Source

p. 154

work
Dialogues – conversations with.., quotes, c. 1960
year
1960
locator
p. 154

Cite this record

“I alternate my aims; at one time, I concentrate on poetry, o…” Ossip Zadkine. Carolina Quotes, record CQ-B9CDD9E99D. https://carolinaquotes.com/quote/b9cdd9e99d

More from Ossip Zadkine

Firstly for the design I decided that the two joined figures should be depicted upright [in Zadkine's first attempt the two brothers were sitting shoulder to shoulder].. ..two or three days later I was able to send him a photo of my new attempt, in which the two brothers are not only standing, but where the bond – the main idea is projected onto the statue in a hollow, in the heart of the composition the viewer can see a knot of hands, a symbol of the double inspiration.
'Les frères Van Gogh, origine et justification', c. 1955, pp. 67-69
It is in a sculptor's interest that there should exist a close relationship between his art and that of the poet. Otherwise, his sculpture may lack human or emotional content and become too strictly architectural. We sculptors pay a heavy price for the limited freedom that we enjoy as a result of our being able to create in three dimensions; we must sacrifice color and whole realms of subject matter, such as landscape, that scarcely lend themselves to a representation in three dimensions. [c. 1960, in France]
Dialogues – conversations with.., quotes, c. 1960, p. 153
The image of the city and the obliterated streets of Rotterdam haunted me. When I returned to Paris, I made a draft model for a statue in clay which attempted to express the combination of confusion and horror.. ..to stimulate emotion in the onlooker, to exude something which captivates the spectator, which opens up to them an unsuspected pathway in their own soul.
'Memoirs', 1967; as cited in 'Torso of the Destroyed City', Musée Zadkine — Zadkine recounts the violence of the impressions which he felt then; the first draft for a monument to the 'Destroyed City', was broken in transport. A new version of a 'projected monument for a bombed city' was produced in 1947

All Ossip Zadkine quotations