Carolina Quotes
A cry of horror against the inhuman brutality of this act of tyranny.

Ossip Zadkine Connected to the Carolinas

Source

c. 1953; as cited by M.G. Schenk, in Ossip Zadkine', Amsterdam 1967; as quoted in Sculpture International Rotterdam - 'The Destroyed City' — According to Zadkine the idea for his sculpture 'The Destroyed City' was born when he arrived by train in the devastated city of Rotterdam in 1946/47, and saw the destroyed heart of the city because of the bombings by the German air-force, 14 May 1940

year
1940

Cite this record

“A cry of horror against the inhuman brutality of this act of…” Ossip Zadkine. Carolina Quotes, record CQ-BEC0881153. https://carolinaquotes.com/quote/bec0881153

More from Ossip Zadkine

Were I to concentrate exclusively on the body of Prometheus, I would be seriously limiting the scope of my rendering of the demigod; but because I concentrate also on the myth of Prometheus, on all that the great poets have written about him, I expand the meaning of the demigod's physical form and try to communicate.. ..the basic message of the legend of Prometheus, who stole fire from the gods and taught man to cook his foods, to smelt metal ore and to forge his tools and weapons. [c. 1960]
Dialogues – conversations with.., quotes, c. 1960, pp. 153-154
In my own researches and findings I have always insisted on plastic and sculptural values, and also on what I call a poetic climate. The object, whether it is a book, a bottle, or a human body, once it is visualized and expressed by means of clay, stone, or wood, ceases to be a document and becomes an animated object in stone, wood, or bronze and lives its independent life..
New York, early 1944; as cited in: Artists on Art – from the 14th – 20th centuries, ed. Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 430
Firstly for the design I decided that the two joined figures should be depicted upright [in Zadkine's first attempt the two brothers were sitting shoulder to shoulder].. ..two or three days later I was able to send him a photo of my new attempt, in which the two brothers are not only standing, but where the bond – the main idea is projected onto the statue in a hollow, in the heart of the composition the viewer can see a knot of hands, a symbol of the double inspiration.
'Les frères Van Gogh, origine et justification', c. 1955, pp. 67-69

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