Value differences in painting always cut in; color differences always go side by side. Laterally. Color differences can illustrate three dimensional form, but using color in terms of hue belongs more properly to painting than modelling with dark and light [as in sculpting] does.
Kenneth Noland Carolinian
Source
Kenneth Noland, p. 22
- work
- "Conversation with Karen Wilkin" (1986-1988)
- year
- 1986
- locator
- p. 22
Cite this record
“Value differences in painting always cut in; color differenc…” Kenneth Noland. Carolina Quotes, record CQ-F57BEB1EFD. https://carolinaquotes.com/quote/f57beb1efd
More from Kenneth Noland
[the 'Surfboards' - series of the mid-70's] were almost like cut-out figures without being figurative...I think of them, in some way, as being like figures; they remind me of figures in vertical Cubist paintings. Even the small pictures have that kind of human proportion in the rectangles. It's not exactly a reference, but the relation of length to width in the rectangles is like a person.
When you look at a great painting it's like a conversation. It has questions for you. It raises questions in you.. .Being an artist is about discovering things after you've done them. Like Cézanne – after twenty years of that mountain [Mont St. Victoire] he found out what he was doing. If it isn't a process of discovery, it shows. I'm in it for the long haul.
I knew what a circle could do. Both eyes focus on it. It stamps itself out, like a dot. This, in turn, causes one's vision to spread, as in a mandala in Tantric art.