I believe that painter's judgments of painting are first ethical, then aesthetic, the aesthetic judgments flowing from an ethical context. Doubtless no painter systematically thinks this way; but it does seem to me to be basically what happens when modern painters judge any new manifestations of painting.. .An artist's 'art' is just his consciousness, developed slowly and painstakingly with many mistakes en route. How dare they collect those ugly early Van Gogh's like trophies...
Robert Motherwell Connected to the Carolinas
Source
pp. 109-110
- work
- 'The painter and the audience' (1954)
- year
- 1954
- locator
- pp. 109-110
Cite this record
“I believe that painter's judgments of painting are first eth…” Robert Motherwell. Carolina Quotes, record CQ-F5CFA59F4E. https://carolinaquotes.com/quote/f5cfa59f4e
More from Robert Motherwell
The aesthetic is the sine qua none for art: if a work is not aesthetic, it is not art by definition.. .We feel through the senses, and everyone knows that the content of art is feeling; it is the creation of an object for sensing that is the artist's task; and it is the qualities of this object that constitute its felt content.
..there is a real Dada strain in the minds of the New York School of abstract painters that has emerged in the last decade.
One is to know that art is not national, that to be merely an American or a French artist is to be nothing; to fail to overcome one's initial environment is never to reach the human.. .Thus when we say one of the ideals of modern art has been internationalism, it is.. ..as a natural consequence of dealing with reality on a certain level. [quote in 1946]