Picasso loved depicting. He didn't love painting. It's always more like filling in for Picasso. But you can see that Matisse loved the stuff. He loved making it thin, loved moving it around.
Kenneth Noland Carolinian
Source
Kenneth Noland, p. 14
- work
- "Conversation with Karen Wilkin" (1986-1988)
- year
- 1986
- locator
- p. 14
Cite this record
“Picasso loved depicting. He didn't love painting. It's alway…” Kenneth Noland. Carolina Quotes, record CQ-4BD3A7CBED. https://carolinaquotes.com/quote/4bd3a7cbed
More from Kenneth Noland
But there was something else that the Abstract Expressionists taught us: they began to use something besides the conventional means of art; to want other kinds of paint, or kinds of canvas, or ways of making pictures that weren't the usual ways. Some of the next generation, the Pop Art artists [like Roy Lichtenstein and Andy Warhol, picked up this attitude and began to put actual things into art. We [=w:Morris Louis and Noland] were making abstract art, but we wanted to simplify the selection of materials, and to use them in a very economical way. To get to raw canvas, to use the canvas un-stretched – to use it in more basic or fundamental ways, to use it as fabric rather than as a stretched surface.
I knew what a circle could do. Both eyes focus on it. It stamps itself out, like a dot. This, in turn, causes one's vision to spread, as in a mandala in Tantric art.
I believe that there are varying points of contact. You have to be able to see the whole thing first. All great paintings are sculptures – there's so much of the factualness about it that a great painting forces you into a visual, physical movement of yourself. That's what determines the way you experience a painting kinetically. You move closer, you sight down it, you till your head, you step back, you feel as though you are in it. That being in it is just as important as looking from a distance.