Here we are at the antipode of automatism [invention from Surrealism] and mechanism, and no less distant from the cunning way of reason. In the action of the machine, in which everything is repeated and predetermined, accident is an abrupt negation.. .. [the] excess of ink flowing capriciously in thin black rivulets.. ..this line deflected by a sudden jar, this drop of water diluting a contour – all these are the sudden invasion of the unexpected in a world where it has a right to its proper place. [Motherwell is quoting here the comments of w:Henri Focillon on Japanese legends of 'accidentalism']
Robert Motherwell Connected to the Carolinas
Source
The Dada Painters and Poets, Schultz, Wittenborn, New York 1951, p. xxxvii
- year
- 1951
Cite this record
“Here we are at the antipode of automatism [invention from Su…” Robert Motherwell. Carolina Quotes, record CQ-9C15F05F08. https://carolinaquotes.com/quote/9c15f05f08
More from Robert Motherwell
..for most painters nowadays [1954] examination is self-examination – this is all that we are accustomed to – while the relation to the audience is a social matter. And it is our pictures, not ourselves, that live the social life and meet the public.
I believe that painter's judgments of painting are first ethical, then aesthetic, the aesthetic judgments flowing from an ethical context. Doubtless no painter systematically thinks this way; but it does seem to me to be basically what happens when modern painters judge any new manifestations of painting.. .An artist's 'art' is just his consciousness, developed slowly and painstakingly with many mistakes en route. How dare they collect those ugly early Van Gogh's like trophies...
It would be very difficult to formulate a position in which there were no external relations. I cannot imagine any structure being defined as though it only has internal meaning.