Carolina Quotes
I don't crop. Photography is like diamond cutting. If you miss you miss. There is no difference with painting. If you don't cut you have to accept the whole image. You wait until life is in the frame, then you have the permission to click. I like the adventure of waiting until the whole frame is full.

Robert Rauschenberg Connected to the Carolinas

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work
'I don't necessarily desire a perfect photography,' 1981
year
1981

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“I don't crop. Photography is like diamond cutting. If you mi…” Robert Rauschenberg. Carolina Quotes, record CQ-E43F970A21. https://carolinaquotes.com/quote/e43f970a21

More from Robert Rauschenberg

It was because of the general inclination, until very recently, to believe that art exists in art. At every opportunity, I've tried to correct that idea, suggesting that art is only a part – one of the elements that we live with.. .Being a painter, I probably take a painting more seriously than someone who drives a truck or something. Being a painter, I probably also take his truck more seriously. In the sense of looking at it and listening to it and comparing it to other trucks and having a sense of its relationship to the road and the sidewalk and the things around it and the driver himself. Observation and measure are my business.
'I never thought of it as much of an ability,' (1968)

no citation recorded

My whole area of art activity has always been addressed to working with other people.. .You see, I personally like the sensual contact of collaborating. Ideas are not real estate. In collaboration one can accept the fact that someone else can be so sympathetic and in tune with what you’re doing, that through this they move into depths that might not be obvious if that person had been working alone in a studio with the door shut.
Quote from Breaking Bounderies.., Robert S. Mattison, exhibition catalogue Whitney Museum, 1994, p. 3
[I have] various tricks to actually reach that solitary point of creativity. One of them is pretending I have an idea. But that trick doesn't survive very long because I don't really trust ideas – especially good ones.. .Rather, I put my trust in the materials that confront me, because they put me in touch with the unknown. It is then that I begin to work.. ..when I don't have the comfort of sureness and certainty. Sometimes Jack Daniels helps too. Another good trick is fatigue. I like to start working when it's almost too late.. ..when my sense of efficiency is exhausted.
Quote from 'Robert Rauschenberg: An Audience of One', John Gruen, Art News, 29, February 1977, p. 48

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