Carolina QuotesIn Stage II guilt is first of all social, liberal, moral guilt — a guilt so general as to seem almost formal. It is we who are responsible, either by commission or — more generally — by omission, for everything from killing off the Tasmanians to burning the books at Alexandria. (You didn’t do it? Then you should have stopped them from doing it. You never heard of it? Ignorant as well as evil, eh? You weren’t born? You’re guilty, I tell you — guilty.)
Randall Jarrell Carolinian
Source
“Freud to Paul: The Stages of Auden’s Ideology”, p. 169
- work
- The Third Book of Criticism (1969)
- year
- 1969
- locator
- p. 169
Cite this record
“In Stage II guilt is first of all social, liberal, moral gui…” Randall Jarrell. Carolina Quotes, record CQ-F443E17CF7. https://carolinaquotes.com/quote/f443e17cf7
More from Randall Jarrell
...Stevens does not think of inspiration (or whatever you want to call it) as a condition of composition. He too is waiting for the spark from heaven to fall — poets have no choice about this — but he waits writing; and this — other things being equal, when it’s possible, if it’s possible — is the best way for a poet to wait.
Poetry is a bad medium for philosophy. Everything in the philosophical poem has to satisfy irreconcilable requirements: for instance, the last demand that we should make of philosophy (that it be interesting) is the first we make of a poem; the philosophical poet has an elevated and methodical, but forlorn and absurd air as he works away at his flying tank, his sewing-machine that also plays the piano.
...good American poets are surprisingly individual and independent; they have little of the member-of-the-Academy, official man-of-letters feel that English or continental poets often have. When American poets join literary political parties, doctrinaire groups with immutable principles, whose poems themselves are manifestoes, the poets are ruined by it. We see this in the beatniks, with their official theory that you write a poem by putting down anything that happens to come into your head; this iron spontaneity of theirs makes it impossible for even a talented beatnik to write a good poem except by accident, since it eliminates the selection, exclusion, and concentration that are an essential part of writing a poem. Besides, their poems are as direct as true works of art are indirect: ironically, these conscious social manifestoes of theirs, these bohemian public speeches, make it impossible for the artist’s unconscious to operate as it normally does in the process of producing a work of art.